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Once you have the setup you want, you can save it so that you can apply it to your production shots. There are several options.
File/Export/Lens/Image Preprocessor Preset as Script, to produce a Sizzle script containing the image preprocessor configuration. You’ll probably want to store only the active solved preset. Later, Script/Run Script on it after you’ve opened a new production shot, to reconfigure the image preprocessor to (un)distort the image this same way.
File/Export/Lens/Solver Distortion as Script. Not for the Classic Lens Model. This script writes another script that reconfigures the solver to the same lens distortion settings. Use Script/Run Script to later load it into production shots. This is only useful if you have not run the Lens Workflow script (which clears solver distortion).
STMap, using Shot/Write Distortion Maps. This is probably most useful for going to other applications, though you can also load the maps into the image preprocessor.
File/Save. You have the low-tech option of simply saving the scene, then later using Shot/Change Shot Images to repurpose it to other shots.
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