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Flash Forward

 
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LFGabel



Joined: 16 Mar 2005
Posts: 298
Location: Vancouver Island, BC, Canada

PostPosted: Wed Sep 16, 2009 2:18 pm    Post subject: Flash Forward Reply with quote

Lots of tracking/matchmoving in the upcoming ABC TV series Flash Forward. I used SynthEyes on all the shots I worked on.

And as always, the text effects in Fringe continue in Season 2.
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GraphicsKid



Joined: 25 May 2009
Posts: 480

PostPosted: Thu Sep 17, 2009 1:26 pm    Post subject: Reply with quote

I love those text effects! Very Happy
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nimisp3000



Joined: 15 Jan 2010
Posts: 13

PostPosted: Thu May 06, 2010 6:47 pm    Post subject: Reply with quote

I KNEW that was syntheyes! I'm so jealous you work on those productions!
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LFGabel



Joined: 16 Mar 2005
Posts: 298
Location: Vancouver Island, BC, Canada

PostPosted: Thu May 06, 2010 8:38 pm    Post subject: Reply with quote

You knew? What gave it away?
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GraphicsKid



Joined: 25 May 2009
Posts: 480

PostPosted: Fri May 07, 2010 12:35 am    Post subject: Reply with quote

lol, there's no way he could have known...
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rtep



Joined: 12 Mar 2008
Posts: 142
Location: at the moment its Munich

PostPosted: Fri May 07, 2010 4:14 am    Post subject: Reply with quote

LFGabel: I think he knows that if you used other software than SynthEyes, you would never finish the shots in time/cost given you by the production, you would have to stop them half-way through, unfinished, wobbly, jumpy Very Happy

Perfect matchmoves coming from time/cost-constrained production environment, that's what gives SynthEyes away Smile
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GraphicsKid



Joined: 25 May 2009
Posts: 480

PostPosted: Fri May 07, 2010 2:55 pm    Post subject: Reply with quote

rtep wrote:
LFGabel: I think he knows that if you used other software than SynthEyes, you would never finish the shots in time/cost given you by the production, you would have to stop them half-way through, unfinished, wobbly, jumpy Very Happy

Perfect matchmoves coming from time/cost-constrained production environment, that's what gives SynthEyes away Smile


Nice!
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nimisp3000



Joined: 15 Jan 2010
Posts: 13

PostPosted: Wed Nov 10, 2010 10:53 pm    Post subject: Reply with quote

sorry it took me so long to check back. I was probably watching Fringe Smile. Of course there is no way I could tell without a doubt that it was syntheyes. I just saw the shots and immediately thought of hitting the Green Auto button in syntheyes. Compared to other software it speeds through those steady shots with little to no supervision. And since there are sometimes several 3D titles, even with real world lighting I figured it would be the best way to get it done fast.
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LFGabel



Joined: 16 Mar 2005
Posts: 298
Location: Vancouver Island, BC, Canada

PostPosted: Thu Nov 11, 2010 7:34 pm    Post subject: Reply with quote

Even when using the automatic tracking, there is still a *lot* of manual work that has to be done to ensure a proper match. It's even more critical when adding proxy geometry to stand in for other structures.

It's never as easy as pressing the green button.
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nimisp3000



Joined: 15 Jan 2010
Posts: 13

PostPosted: Fri Nov 12, 2010 6:49 pm    Post subject: Reply with quote

lol. I was actually thinking yesterday that i didnt do you justice by referring to the green button. There are obviously many shots that need alot more work. Do you do all of the work on those shots or just the matchmoving? Because I liked the lighthouse effect on last nights episode.
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LFGabel



Joined: 16 Mar 2005
Posts: 298
Location: Vancouver Island, BC, Canada

PostPosted: Sat Nov 13, 2010 7:47 pm    Post subject: Reply with quote

I mostly do the matchmoving on the text shots. In the past three seasons, I have done all the work on probably half a dozen shots. It's not something I'm super interested in.

In fact, since SynthEyes is so straight forward to accomplish good matchmoving, I have been loosing work due to people higher up in the production chain learning the software. I usually get the long, more challenging shots.
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GraphicsKid



Joined: 25 May 2009
Posts: 480

PostPosted: Sun Nov 14, 2010 12:48 am    Post subject: Reply with quote

LFGabel wrote:
I mostly do the matchmoving on the text shots. In the past three seasons, I have done all the work on probably half a dozen shots. It's not something I'm super interested in.

In fact, since SynthEyes is so straight forward to accomplish good matchmoving, I have been loosing work due to people higher up in the production chain learning the software. I usually get the long, more challenging shots.


Aww that sucks... sorry to hear that man. (about losing work)
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LFGabel



Joined: 16 Mar 2005
Posts: 298
Location: Vancouver Island, BC, Canada

PostPosted: Mon Nov 15, 2010 5:55 pm    Post subject: Reply with quote

Shift. Adapt. Survive... That's life.
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nimisp3000



Joined: 15 Jan 2010
Posts: 13

PostPosted: Tue Nov 16, 2010 12:20 am    Post subject: Reply with quote

LFGabel wrote:
Shift. Adapt. Survive... That's life.


Word.
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scarabrae



Joined: 01 Jan 2010
Posts: 33

PostPosted: Thu Dec 02, 2010 6:05 am    Post subject: Reply with quote

LFGabel wrote:
Shift. Adapt. Survive... That's life.


Agreed Smile

Fantastic stuff, and inspirational
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